Travel connects us, not only to people in present day, but all thorugout time. I realized this while road tripping in 2016. On my quest to complete my “All 50 States” tour, I pulled over along a desolate highway. The sunset views against Arizona’s Painted Desert deserved so much more than a passing glance as I drove through. I got out of my car and stood amidst absolute, complete silence and watched nature take place.
I’d never seen anything like it. Iridescence cascaded from the heavens into earth like a visual coloratura across the sky. The creator painted momentary murals on rock formations. Fallen, petrified trees from the late Triassic period, — 225 million years ago —- interspersed throughout the barren landscapes soon gave way to majestic silhouettes accented by stars that seemed to applaud the performance.
There I stood. This little country girl a long way from home, standing somewhere between, “the bright blessed day and dark sacred night” that inspired Armstrong’s rejoicing in, “What a Wonderful World.”
Wonderful world, indeed.
God was just showing off.
At that moment, a long-buried movie quote rose to the surface of my mind:
“In the desert, when the sun comes up, I couldn’t tell where heaven stopped, and Earth began. It was so beautiful.”
I finally understood. When I watched that movie back in 1995 and all the dozens of times since I liked the quote. I grasped the concept. But for the first time, while standing next to my hoopty, all alone in a desolate desert… I understood. I too struggled to distinguish Heaven from Earth.
Engulfed in awe of this masterpiece, my heart overflowed with gratitude that the composer saw fit to share this moment with me. Surrounded by both vast nothingness and the density of significance at once, all the people I love came to mind. I wanted them to have a moment like this. I wished my loved ones could witness a moment like this. I craved for everyone to feel all of this. And perhaps they had.
As I edit this post six years after original publication, I recall the same scene, when Jenny tells Forrest that she wishes she could have been there with him. He responds, “You were.”
Just like Forrest, in the most beautiful moments of life, my heart and mind go to those I love; they are with me.
And maybe that’s a phenomenon of travelers. Of observers. Of dreamers or artists. When surrounded by beauty we are connected by generations of love. Travel connects us to other travelers. Travel connects us to ideas. To dreams. And to beauty.
I hope everyone get to know how these colors feel in their lifetime.
Historian Perspective
As a historian, I view the world through a historical lens. Whereas an engineer may look at something and ask how? I ask why and look for clues left by previous generations to learn the story. I travel to cover as much ground as possible. So I intentionally increase the probability that I trace the steps of my predecessors. I try to have many unique experiences so when others experience the same, it bridges a gap of understanding in a way that couldn’t be explained by words and pictures.
For example, I grew up in a military family. Saturday mornings often started with a G.I. Party (the military community knows this is not an exciting event). Getting ready for school came with the expectation that it only takes three minutes to run “The Three S’s” (sh!t shower and, shave). After 22 years growing up in that environment, it wasn’t until I experienced military training I learned for myself. It is indeed possible to get ready in three minutes (which is 90 seconds more than what’s actually needed).
That experience helps me relate to every warfighter in every land — froom every timeperiod. It helped me understand and connect my veteran parents, grandfathers, uncles, cousins in a way that I didn’t before. I could empathize with soldiers embracing the suck in Brandywine. I had more data to consider the thoughts and emotions of officers battling their former West Point classmates. Because of my experiences, I recognize the same mentality of young soldiers defacing markers in Colonial Park Cemetery, Savannah. Shared experiences, especially those like travel, connect us to those past and present.
Travel Is a Vehical to Connects Us To The Past
Travel is one of the experiences that increase connection. Visiting Charleston filled me with an enormous sense of connection to the past. Although I don’t know for sure, the statistics make it highly probable that someone from my family’s heritage walked the same cobblestone streets centuries before. Living in Boston gave me insight on why as a young graduate student, Martin Luther King lived in Roxbury, so far from Boston University. And why many Black students and young professionals make the same choice today).
Visiting the homes and frequented localities of those from the past gives a snapshot of the surroundings, how they lived, and what influenced their thoughts. It helps to understand how they worked through some of their decisions and thought processes. Even after reading Little Women multiple times and watching both versions of the movie, it wasn’t until I visited the March family home, Orchard House, in Concord, Mass, that I felt that I really got to know the family and understood the context of their lives.
Tracing the steps of James Baldwin, Richard Wright, and Lois Mailou Jones in Paris’ Latin Quarter helped me to understand their muses. I know, from visiting the Kennedy Library, that Jacqueline took a cruise to Paris with friends during college. It was the best year of her life. And I can only imagine why based on my trips abroad in college, my trips to Paris, and the best year of my life which happened while abroad in Latin America.
Travel Connects to the Future
I don’t know details of travel or frequented localities for most of my family. I’d like to able to know and connect with my family in the same way I do with historical or fictional figures; but so much of my family’s history went undocumented.
Today, I do have some say over the breadcrumbs I leave for my future family. I can be intentional about the paths I leave behind. I can travel to search out a diversity of experiences. That way I can find some commonality with people I encounter today and yesteryear. But also in the future.
So, I travel. I do things. I leave clues for those to come. Perhaps, when my progeny find themselves randomly out in the middle of the desert, witnessing nature in all its glory, and they’re longing for someone to share it with, they’ll know they had an adventurous grandma/auntie who went everywhere and saw everything and felt the same way. Travel connects us to people — past present and futre.
Other stories on how Travel Connects us, check out these stories:
Come feel the omnipresent spirit of African Ancestors in Charleston.
When I planned my weekend getaway to Charleston, I fully intended on basking
in all the southern-ness I’d been yearning for while living in Boston. I’d chat
with gracious southerners with incomparable etiquette. I’d dine on delectable
southern cuisine. Most of all, I intended
on giving my ears a break from the harshness of the Bostonian accent to capture
the sweetest of twang. Charleston is,
after all, the crown jewel of the south. Its timeless allure is immortalized in
American folklore and literature. It is where you go when you need a super does
of southern charm. Although I went to
Charleston for its southern-ness, I never expected that I’d be surrounded by
its African-ness as well. All-the-while the city is touted as the epicenter of
quintessential southern gentry, I’ve rarely heard it positioned as a starting
point of Africans in American. Yet, when I visited, I was constantly surrounded
by the works and stories that drew a bridge to my own past.
This history and culture of Charleston is the history of the African majority who built and developed the city from the colonial era onward. It is impossible to separate the history of Charleston from the history of the Africans that populated the city for over 300 years. You don’t have to go looking for the history of Black Americans in South Carolina — it hits you right in the face. The African people of Charleston are not an aside to the city, or a footnote. Charleston was not influenced by Africans, but built by Africans in every way. They were and still are the heart of the city.
My first stop of the weekend was Fort Sumter. Etched into memory from history class, it’s always been on my list of places to see. Being the hyper planner that I am, I arrived as their first customer of the morning. I purchased my ticket for the ferry across the bay but it didn’t leave until another two hours at 11. That gave me time to check out the Old Slave Mart Museum.
While touring the Old Slave Mart, or Ryan’s Mart as it was called in the days of slavery, I learned an estimated 80 percent of African Americans today had at least one ancestor who was kidnapped from the Senegambia region then quarantined at Sullivan Island, often for over a month, before being brought into the city. While I can’t know for sure, it is reasonable to believe, that I have some ancestor, from some branch of the family tree that came through this seaport. Considering that probability, the city became more personalized. This wasn’t just a trendy southern city. I was no longer just a history tourist on the outside looking in at a foreign history. This city provides clues to my family’s potential first steps in America.
The museum is reading intensive and emotional. It’s not recommended for children…especially rambunctious ones.
Initially, Charleston didn’t have a designated spot for the sale of Africans. It was customary for Europeans to buy and sell African people randomly on sidewalks all over town. These spontaneous sales drew inconvenient crowds for pedestrians and carts trying to make their way around town. Ryan’s Mart was built in 1856 to alleviate the sidewalk congestion. Now, Charleston had undergone series of legislation banning the public sale of humans in 1839 as a way of being discrete. That law was overturned a decade later by anti-abolitionists as a way of doubling down on their shamelessness of the institution.
Looking at the cobble stone roads, I wondered if any of
my family members, or people who knew my family were creepily inspected on the
side of the roads to be bought and sold like a used futon prior to the mart’s
construction. Or perhaps someone who
cross paths with my ancestors survived time spent in the barracoon of the slave mart. Could all the trauma and heartbreak contained
in this concrete cell be part of my family’s initial experience in this
country? Through these walls, mamas,
most certainly clinging to their little girls knowing the fate of adolescent
girls being considered the property of ruthless men. Young sweethearts, crazy in love, waited for
the impeding separation, never to see each other again. Mothers never knew what
became of their toddlers and children never knew if they had other brothers and
sisters out there.
According to
displays in the museum, Ryan’s Mart was advertised in newspapers across
the south. Even enslavers in Mobile, AL would know when an auction was scheduled
and pay a dealer to purchase and deliver people who were enslaved. Those people
would be marched in shackles from Charleston to Mobile while the white
deliverer would ride alongside of them.
If you could imagine…that’s a 9-hour drive on the highway today but
walking back then would take weeks. This job illustrates that even individuals that
might not have “owned” African people as property, their livelihood still depended
on the propagation of the slave industry. Being in the Old Slave Mart connected
dots on possible stories of my family’s history. My family has lived an hour’s
drive north of Mobile since the end of the Civil War. While Mobile Bay was a
significant slave port, most of those enslaved African people had been brought
over after being “seasoned” for slave life in the Caribbean. I pondered if my people were part of that
crew or the Charleston set? Or both?
After an hour and a half, the museum stimulated
my curiosity and provided more data to use for research. I dashed back to my
rental parked in two-hour parking right outside the museum then headed back to Fort Sumter National Monument.
The National Parks Department curated a small but impactful
museum in the ferry waiting area that doesn’t gloss over some of the less
touted realities of antebellum life that history books often omit. Founded in
1663, Charleston became predominantly black by the first decade of the
1700s. By 1770, the Charleston harbor
was the nation’s fourth largest port after Boston, New York, and
Philadelphia. At the end of the century,
Charleston distinguished itself as the wealthiest city in British North America
(including the Caribbean). All of its wealth was made possible by its slave
industry. Of America’s major cities, Charleston was the only one with a history
of having the majority of its residents enslaved. In fact, the majority of all South Carolina
residents were enslaved. The irony… South Carolina, a state in America — the
bastion of freedom, enslaved most of its residents. The city stayed
predominately African until the great migration during the industrial
revolution of the early 20th century.
The Fort is free but the 30-minute ferry ride is a small fee. You’re welcome to visit on your own boat if you’d like. Keep your eyes out for dolphins!
Once out on the island fort, the park ranger gave a
spill on the history of Ft Sumter. He was a high energy, charismatic, retired
Marine Colonel who implored the visitors to use our imaginations to put
ourselves in the shoes of the people of Charleston at the start of the Civil
War. Empathy, he contended, was vital to
the study of history and human understanding. Just like current events of
today, that time period had so many perspectives to consider. With that in mind, I considered what I’d be
thinking if I was a young, enlisted soldier doing my daily duties while gearing
up for the impending battle. I measured my priorities if I was the commander of
the fort, knowing supplies were low and the confederates were getting hostile. I
imagined being one of the aristocrats watching the battle from the porch of my
ocean-side home. But what I pondered most was the perspective I’d have if I
were one of the enslaved people who laid the bricks to build the fortress. I
wondered if the hands of one of my ancestors built the bricks that now surrounded
me. I ran my hands across as many as I could just in case.
Use from the Ft Sumter National Monument website.
The prevailing viewpoint is the realization that all the
grandeur of the city of Charleston depended on the wealth made possible by
forced, African labor. With the federal government placing bans on the peculiar
institution, the source of income of southerners would be gone (…with the
wind). That meant no more fashionable
gowns imported from Europe. No more life of leisure, porch sitting. Cultural
developments such as America’s first theater building, Dock Street Theater (1736),
was made possible by the wealth of the slave economy. The city’s first libraries came from slave
money. Every nicety enjoyed by the Charleston elite life came from the work of
the kidnapped and enslaved African majority.
So it’s understandable that people, reluctant to change, would hold on
to the last of their livelihood as long as possible. It’s not unlike folks of
today holding on to fleeting or dangerous economies (Coal. Guns. etc).
Two and half hours
later I was back in the city and starving.
At the recommendation of a friend, a South Carolina native, I ate my
fill of mac & cheese and dirty grits (In Charleston they called the dish shrimp
‘n grits…but once you add the sausage and gravy…they qualify as dirty grits) at Poogin’s Porch. The two sites I’d just visited framed my point
of reference and my approach to absorbing historical Charleston. The cityscape
captured my imagination of what used to be. Roaming the streets, I envisioned some
distant relative once traveled the same path as me. I reckoned they probably
looked at the same exchange building or churches I passed. Gadsden Wharf was the busiest port for the nation’s slave trade capitol. But on this day, I
watched an energetic fitness influencer pose for a photoshoot.
As I wandered the streets, words from Olaudah Equiano’s autobiography came to mind, “We are almost a nation of dancers, musicians, and poets,” he wrote. The beautiful, ornamental wrought iron work featured prominently around the city were designed and created by talented African blacksmiths. The sweet grass baskets that Charleston is famous for (and charges a small fortune), are the handicrafts of West Africa. The bricks that line the streets, make up the stately antebellum homes, and hold up Fort Sumter were all made by enslaved Africans. The food culture of Charleston was made famous by African cooks, chefs, and caterers like Nat Fuller and Sally Seymour. The beautiful gowns seen painted in portraits likely designed and stitched by African seamstresses, made out of African cultivated cotton, and all financed through African labor. Any building, church, home, artifact of the period in the town, was either created by the wealth of enslaved African labor or physically built by the Africans themselves. Even modern buildings were likely built from local revenue which continues to profit off of the antebellum history tourism (i.e. plantation weddings and tours). Equiano’s words were omnipresent as I wandered the painstakingly preserved French quarter streets. This nation too, was full of talented African artisans and craftsmen. Every street I turned down I was surrounded by the works of my ancestors.
At this moment, I was carefree, walking in my ancestor’s footsteps
The last stop of my Saturday was the ancestral plantations of the Drayton family at Magnolia Plantation. Just six years ago, the plantation started to acknowledge the overlooked narrative of all the people who lived on this plantation. It offers a “From Slavery to Freedom” tour. I was suspicious of the how the plantation would approach this narrative when I bought my ticket. But my suspicions were alleviated by the tactful docent who led the tour with the dignity and respect the stories deserved. The original slave shacks remaining on the plantation tell the stories of five different time periods. The descendants of enslaved people lived in these cabins and took care of the grounds until the late 1990s when the last passed away. I had been under the impression enslavers didn’t document where the people that they enslaved came from. But they did. In fact, in Charleston, they were very particular about where they seized people. Africans from the Senegambia region were specifically targeted for their rice cultivation skills. Before cotton became king in the south, rice was the cash crop of coastal South Carolina. Charleston enslavers had been primarily familiar with rice farmers until they took hold of Angolan warriors. The warriors were transported over, said, “Oh hell nah,” then killed everybody at Stono Rebellion (also called Cato’s Conspiracy) just a little way outside of Charleston. At the time, 40 percent of Africans in Charleston were kidnapped from the region now recognized as Angola. After the revolt, a decade-long hiatus in abductions from Angola, among other preventative measures, took effect.
These confined shelters that once housed over 10 people per night humbled me.
The Year 2019 marks the 400th year that the ship, White Lion, docked in Virginia carrying the first people who were enslaved in America. Ghana has declared 2019 as “The Year of Return” and invites all people of African descent to visit the West African nation. If visiting your ancestral lands in Africa isn’t an option, Charleston makes a more accessible option. Even if your ancestors didn’t arrive in America this way, Charleston is steeped in the details that you can’t learn from textbooks and still worth the visit. Even after majoring in history, this weekend tourist trip to Charleston willed in so many gaps in the lessons I learned in school. If you’re looking for something more international, but closer than Africa, The Bahamas, Barbados, St. Kitts, Haiti, and Jamaica are other, closer options for a Black History Month getaway with deeply rooted African history that connects the stories of America’s African history as well.